Talented cast bounce through 37 musical numbers in Little Match Girl
This is a terrific retelling of the Hans Christian Andersen story as 
        an extremely talented cast of just 11 sing and dance their way through 
        21 roles and 37 musical numbers, telling the story of a young girl thrown 
        into the street by her father and told not to come back until she’s sold 
        all her matches.
        
        It’s Christmas Eve and the song Mistletoe & Wine 
        is woven through, subtly at first until it bursts through in the second 
        act and they all join in at the end. A surprise for anybody who thought 
        Cliff Richard was the first to sing it.

Hans Christian Andersen is well known for his fairy stories but, like 
        his chum Charles Dickens, he was also aware of society's indifference 
        to the plight of the poor. Hence this little story.
        
        Emily Cochrane is perfect as the little match girl; a waif shivering in 
        her ragged clothes pleading with the rich people in their gorgeous clothes 
        on their way home with their Christmas shopping. Emily's got a remarkably 
        big voice for one so small as she demonstrates in her catchy opening number 
        about her house with no windows, no doors and no ceiling. It's nothing 
        like yours, she explains..

        
        Then she settles down to sell her matches in the hope of going home and 
        out of the cold. 
        There's never a dull moment as all sorts of characters thread their way 
        through: a pie man, a policeman, a barman, a landlord, an urchin, tarts, 
        plenty of rich people and old women who act as a sort of Greek chorus 
        to give us a bit of background. 
Our heroin is befriended by cheeky Cockney chappie Arthur (Jack Ayres) who intriduces himself singing a catchy little number called simply Arthur's Me Name. He cleans the master's boots and hopes to be a butler one day. There are a couple of touching dreamlike sequence where they imagine how things could be, but can he really help her? Slick direction by Keith Strachan, who also wrote it, keeps things bowling along.
All the music is supplied by Richie Hart tucked away above the stage. Some of the songs are sad such as An Ordinary Life sung by Josie (Aimee Barrett) , the woman living with the Match Girl's father Jebb (Rob Hadden) who sings the equally sad You Can't Come Home. And some are very funny as in the duet with the self satisfied sisters Maud (Katherine Hamilton-Hall) and Winifred (Julia Faulkner) as they warble about having better things to do than gossip with us. Thank goodness they haven't got anything better to do they're hilarious. Another witty set piece is the Kitchen Rag where Katherine pops up again as the cook in the rich man's kitchen dancing around the goose with the butler (Ian McCurrach).
But none of the jollity and humour are allowed to overshadow the heart rending wretchedness at the centre of this story. In a quiet moment when everybody's gone home and she's completely alone, the Little Match Girl lights matches to warm herself and conjure up the ghost of her beloved grandmother, as she curls up to protect herself from the snow and the relentless cold.
Take a big hankie, this one’s a weepie.
Penny Flood
December 13, 2017
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